Since the beginning of the music business, the law about copyright and distributing musical works has been an important part of it. It offers protection for artists and other creators of music by preventing their work from being used without their consent and by giving them a method to be reimbursed for the job they have done.

Traditional music copyright laws have been questioned in recent years because of the rise of digital music and the internet, which have also brought new problems to the music business. This article will discuss how musicians, music creators, and the music industry will be affected by the future of music copyright law in the digital age.

Copyright and Piracy

In the digital age, one of the biggest problems with enforcing music copyright laws is the problem of piracy. With the rise of the internet, it is now easier than ever to download and share music without permission.

This has been a serious problem for the music industry, and it has caused musicians and other people who create music to lose a substantial amount of money as a result. As a way to fix this problem, the music business has been pushing for stricter copyright laws and stricter enforcement.

Digital Rights and Copyright

One way to stop piracy is to use digital rights management (DRM) technologies. DRM (digital rights management) technologies are designed to prevent unauthorized copying and distribution of digital music files.

However, this method has come under fire from customers who believe that digital rights management (DRM) technology restrict their ability to enjoy the music they purchase. Also, it has been found that digital rights management methods are easy for technically savvy people to get around. This makes them less effective at stopping piracy.

Advocate Govind Bali heads the intellectual property rights team at fastrack legal solutions

The proliferation of streaming services like Spotify, Apple Music, and Tidal is yet another approach to addressing the problem of music piracy. Users pay a recurring fee to use these services, which provide them access to a massive music catalog.

This has been viewed as a beneficial development by the music industry as it gives a mechanism for artists and music creators to obtain paid for their work. This has been perceived as a positive development by the music industry. On the other hand, a number of musicians and music composers have voiced their dissatisfaction with the minimal royalties they earn from these services as well as the lack of control they have over how their music is used.


In today’s digital age, laws governing music copyright need to take into account not only the problem of music piracy but also the problem of music copyright infringement. As a result of the proliferation of digital music, it is now much simpler for anyone to make use of and distribute music without first obtaining permission from the owner of the copyright. This has led to a significant increase in the number of litigation, which is a significant source of anxiety for the music industry.

In an effort to find a solution to this problem, the music industry has been lobbying for stricter copyright laws and more stringent enforcement operations. This has included taking steps to make it easier for copyright owners to take legal action against people who break their rights and make the consequences for doing so worse.

Specifically, this has included efforts to strengthen the penalties for copyright infringement. In addition, the music business has been pushing for the establishment of a centralized database of music that is protected by copyright, with the goal of making it less difficult for owners of copyright to monitor and enforce their rights.

Even with all of these efforts, the music business has had trouble enforcing copyright rules in the digital age. Part of the reason for this is that it is hard to track down and identify people who break copyright online. Concerns have also been raised about the possibility that laws protecting music copyrights could be used in bad ways, as well as the effect that making more efforts to enforce existing rules will have on creativity and innovation in the music industry.

Technology and way forward

One way to deal with these problems is to come up with new technology and systems for keeping track of and enforcing music copyright. This might include the utilization of blockchain technology in order to construct a decentralized database of music that is protected by copyright. This would make it simpler for owners of copyright to monitor and enforce their rights.

In addition, the development of new technologies that utilize artificial intelligence and machine learning could be of assistance in locating and preventing infringements of copyright.

Another way to solve this problem is to come up with different ways to license music copyright. This could include the use of creative commons licenses, which allow musicians and music creators to retain some control over how their work is used while still allowing others to use their work with certain restrictions. These licences allow musicians and music creators to use their work without having to pay royalties.

This would provide an alternative to the standard laws governing music copyright and could assist to address some of the concerns regarding the impact that enhanced enforcement efforts could have on innovation and creativity within the music industry.

The laws governing intellectual property in each nation specify the aspects of the copyright law that apply to music. The provisions of music copyright law in the United States are outlined under the Copyright Act of 1976. This statute was passed in 1976. This legislation establishes the rights of those who own copyrights, giving them privileges such as the only authority to reproduce, distribute, and perform their own works. In addition, the legislation protects musical compositions, which includes both the text and the melodies of songs.

In terms of case law, there have been a few significant cases that have shaped the law regarding music copyright in the digital age. MGM Studios v. Grokster, which took place in 2005, is widely regarded as one of the most important court decisions.

In this particular case, the Supreme Court decided that companies that distribute peer-to-peer file sharing software can be held liable for copyright infringement if they intend for their software to be used for illegal purposes.

This decision was made in response to a case in which a lower court had ruled that companies that distribute peer-to-peer file sharing software could not be This decision is widely regarded inside the music industry as an important success for the industry’s ongoing attempts to combat piracy.

The case of Blurred Lines v. Marvin Gaye, which took place in 2015, was another important one. In this particular instance, the estate of Marvin Gaye filed a lawsuit against the songwriters of the song “Blurred Lines,” saying that the music infringed upon Gaye’s copyright since it was too close to Gaye’s song “Had to Give it Up.”

The court determined that the individuals responsible for the creation of “Blurred Lines” had violated Gaye’s copyright and ordered that they pay Gaye millions of dollars in compensation for her loss. Many people believe that the significance of this case lies in the fact that it establishes a precedent for the legal protection of musical works.

Aside from these lawsuits, there have also been a number of international agreements and projects that aim to protect music copyright better in the digital age.

People often think that the Copyright Treaty of the World Intellectual Property Organization (WIPO) is one of the most important of these agreements. Several countries all over the world have signed and ratified this convention, which says that musical compositions and performances are protected by copyright laws.

Follow us on Instagram

Case laws on copyright

Kobalt Music Group v. Peloton Interactive Inc., which was heard in 2019, is widely regarded as one of the most consequential cases from the past several years. In this particular instance, Kobalt filed a lawsuit against Peloton for allegedly playing music in their exercise videos without first getting the necessary licencing.

The judge ruled in favour of Kobalt, and as a result, the court ordered Peloton to pay millions of dollars in compensation for infringing on Kobalt’s copyright. This case is significant because it emphasises the need of getting the appropriate licences for the use of music in digital contexts and the repercussions of failing to do so.

Ranks v. Blippi LLC is yet another recent case that was decided in the year 2020. Ranks, a musical artist, filed a lawsuit against Blippi, a company that creates educational movies for children, alleging that the company illegally used one of his songs in one of their videos without first getting the necessary licences.

The judge ruled in favour of Ranks and ordered Blippi to pay Ranks compensation for infringing on Ranks’ copyright. Even in educational settings, content providers must ensure that they have the appropriate licences in order to play music legally. This example highlights the importance of doing so.

In the year 2021, the National Music Publishers’ Association (NMPA) and TikTok were in a legal battle. The NMPA said that TikTok was violating the copyright of its members by letting users post music without first getting permission. TikTok was found guilty of the charge.

The National Music Publishers Association (NMPA) said that TikTok used music without getting the proper licenses. As a result of the lawsuit, TikTok agreed to pay $92 million to settle the dispute. This case demonstrates the importance of obtaining appropriate licenses for music used on digital platforms, as well as the consequences of failing to do so.


In conclusion, the difficulties and problems that have surfaced as a direct result of the proliferation of digital music and the internet will play a significant role in determining the course that the future of music copyright law in the digital age will take.

This will include the adoption of new technologies and systems for tracking and enforcing music copyright, the introduction of alternative licencing models for music copyright, and the fight against piracy and other forms of copyright infringement.

Whether or not these efforts are successful will depend on how well the music industry, musicians, and music creators can find a balance between the need for protection and payment in the music industry and the need for innovation and creativity in the music industry.

Also Read 3 Critical Elements of Criminal Law

Leave a Comment

Your email address will not be published. Required fields are marked *